Alice Cooper is a philanthropist as well as a world-famous rock star. He hosts this mostly all-star benefit in Phoenix every December. I've been to most--this is Pudding no. 11 and I've been to eight. I really hate to say that this year's show was the weakest thus far--a case of too much padding in the Pudding. The thing that always made this show fun was the variety of the acts; for instance, last year's Pudding included Cheech Marin of Cheech & Chong, Rob Zombie, speed painter Rock DeMarco, Glen Campbell, Night Ranger, a classical piano duo, Nils Lofgren of Bruce Springsteen's E-Street Band, Don Felder of the Eagles, and Cooper with his original early-'70s band, as well as a few local acts, making their professional debut. The 2011 model was overloaded on one kind of music--heavy metal and/or hard rock. I'm no metal-basher. If I was, I wouldn't be holding tix to the likes of Atomic Punks, Steel Panther, and the Axl Rose Band (aka G N' R). But there was very little variety in this particular show. I'm a big fan of Cooper (this was my fourth time seeing him in the last year) and Rob Halford of Judas Priest, and their sets were great. But I found myself squirming during Orianthi's high-velocity noodling during both her sit-in with Runaway Phoenix (a local metal band headed by Cooper's son Dash), as well as her own set. Brian "Head" Welch's set was pure aggression, featuring a Korn medley and wonderful little ditties with titles like "Paralyzed". Cookie-monster vocals don't do it for me, unfortunately. Host Murray Sawchuck is allegedly a magician as well as a lousy comic, but he didn't indulge in much magic during his many unwelcome appearances on stage. Mostly he just preened and reminded me of Andy Dick, who I am NO fan of. The other two comedians on the bill, Chris Bliss and Gary Mule Deer, were extremely hilarious. Why weren't they given the hosting spot? Mule Deer in particular would be perfect. His stoic delivery is perfect for his style of absurdist humor; he even did "Folsom Prison Blues" backed by Cooper's band. And yes, he sounds just like Johnny Cash, but that was it for impressions, by him or anyone else (unless you count Sawchuck's failed impression of someone with comic talent). Bliss's stand-up act in the second half of the show ended with a truly awesome juggling act set to a tape of The Beatles' "Golden Slumbers/Carry That Weight/The End" medley. He would be a fine host also. Kip Winger, brief Motley Crue singer John Corabi and ex-Kiss and Meat Loaf guitar ace Bruce Kulick all did acoustic sets. Winger's set was surprising; he opened with an intricate Spanish-style instrumental that really showed he was quite the acoustic guitarist. He next did his '89 anthem "Headed for a Heartbreak". Corabi and Kulick's set was a mixture of songs from their respective associations (though it was odd that they did "Hard Luck Woman", from the Kiss era that Kulick had no part of), and ended with a spirited cover of The Beatles' "Oh Darling". 3 local acts, all contest winners, played: Jared Kolesar & the Locals, Julianne Forte and Suite 88. Kolesar was game but his stuff was generic John Mellencamp-lite. Forte has real talent and a great voice but was so nervous I felt bad for her. Suite 88's singer has a great voice, and their two-song set was a real surprise. Their version of Pink Floyd's "Time" was excellent. My favorite of all the bands on the bill was The Tubes. I had never seen them before and they did not disappoint. Lead singer Fee Waybill still has it; it's just too bad that their opening song--the great '80s classic "She's a Beauty"--was almost torpedoed by a bad sound mix. Would have liked more songs from Halford; he did four. Cooper's set was the longest by far--and the longest of any I had seen him do at the Pudding, lasting almost an hour. He surprised me by doing the 1971 deep album track "Halo of Flies". Usually his Pudding sets are a handful of hits only, yet he gave us "Hey Stoopid" and the new, propulsive rocker "I'll Bite Your Head Off". He closed the show with an all-star run through Chuck Berry's "Run Rudolph Run". Cool to see Halford and Cooper perform together. This pudding was attended by my two best friends with me for the first time. They had a great time, despite the many flaws, and I was happy to be there with them (though I do wish the father/son drunkards behind us had spared us their loud commentary). Also, it should be noted that no actual Christmas pudding was distributed to those of us in the audience during the intermission for the first time ever, and previously announced acts Cheap Trick and the Gin Blossoms didn't show. Despite this, there's no question that I'll be attending future Puddings, because the good FAR outweighs the bad.
Comerica Theatre @
- Phoenix @
, AZ @
- Sat, Dec 17, 2011 @
Favorite moment: Well, that's easy. The Tubes' set! @
Setlist: Only kept a few setlists: THE TUBES: She's a Beauty, Turn Me On, White Punks On Dope, Talk To Ya Later, Third Stone from the Sun (Hendrix cover). ROB HALFORD: The Hellion/Electric Eye, Breaking the Law, Living After Midnight, You've Got Another Thing Coming. ALICE COOPER: No More Mr. Nice Guy, Under My Wheels, I'm Eighteen, Billion Dollar Babies, Hey Stoopid, Poison, Halo of Flies (w/drum & bass solos), I'll Bite Your Face Off, School's Out, Elected. ENCORE: Run Rudolph Run (Chuck Berry cover), with everyone on stage and Cooper and Halford leading. @
Opening act(s): I guess you could say everyone was an opening act for Alice! @