The Fillmore in San Francisco is a magical venue; its gargantuan red curtains transport listeners to a special timeless place where the musical goddesses and concert-goers have convened since the venue's historic opening in 1968. Fast forward to March 2012 on an unsuspecting Thursday evening, the stage was graced again, this time by Athens, GA indie-rockers, of Montreal, with a set of music from their modern period, a period spanning from 2005 to the present (see albums Sunlandic Twins, Hissing Fauna, Skeletal Lamping, False Priest, and Paralytic Stalks). Energetic performance art dominates the band's stage aesthetic, with clever use of balloons, projection screens, and vaudeville boosting the level of audience-band interaction to new heights. The stage setup favored a subdued Kevin Barnes in the spotlight, alternately playing keyboard and singing seated for one song and then prancing about the stage like a wild front-man for the next. The standout musician of the night, however, was Bryan Poole, aka the Late B.P. Helium, whose laudable composure on guitar and backing vocals was impressively professional -- even stage diving headfirst into the sea of outstreched hands could not shake this admirable musician's cool composure. All things considered, I recommend this band to the newcomer, the hardcore fan, and anyone in-between; there is enough indie-rock goodness gushing and oozing from them to keep even the most pretentious, self-conscious hipster satisfied. Yet, it is the utter humanity and vulnerability in the songs and lyrics that will ultimately determine whether their music stays or fades with the passing of time. I wholeheartedly hope for the former. Of Montreal, "... forever! Forever, forever!" ["Suffer For Fashion" - Hissing Fauna].
The Fillmore @
- San Francisco @
, CA @
- Thu, Mar 22, 2012 @
Favorite moment: Standout song: "The Past is a Grotesque Animal" @
Setlist: "The Party is Crashing Us Now", "Heimdalsgate like a Promethean Curse", "So Begins Our Alabee", "She's a Rejector", "A Sentence of Sorts in Kongsvinger", "Gronlandic Edit", "Nonpareil of Favor", "The Past is a Grotesque Animal", "No Conclusion", "Id Engager" @
Opening act(s): Kishi Bashi, Deerhoof @