Every once in awhile, we are lucky enough to get transported to a different place, sometimes through the beauty of nature or sometimes by music that is so skillfully and lovingly created that you wonder if it is really happening or if you are in some sort of dream. This type of event for me is like going to church is for many. It’s very spiritual and very hard to describe, for me anyway.
Hearing the Kluvers Big Band with Kurt Elling in Boston provided another one of those special moments for me. This group of men are so into what they do and they were so into what Kurt brought to the table as well.
They all play with an amazing amount of heart and love and true soul. As individual soloists and collectively as accompanists, they all so amazingly talented. I think this band is on par with any big band in the world today. As Kurt mentioned in his remarks, “they’ve dedicated their whole lives to this music.”
I have enjoyed listening to big band music of all kinds for close to forty years now and this band was as good as I’ve ever heard live or on record. And I thought a lot tonight about how important it is that they should document this union somehow so that everyone can hear it and/or see it.
This band creates so many different colors and textures with so many different kinds of sounds. The eight brass players and the reed section using flutes and clarinets played the Bob Mintzer’s intro on My Foolish Heart so beautifully that it brought tears immediately to your eyes. The music went right into your heart. And yet the same trumpet section could also slice and cut their way into some super high and tight lines that sounded as good as any EWF or TOP chart you’ve ever heard.
There were so many highlights that the whole show was just one big highlight. It was very interesting to hear Kurt sing over this type of background. I really think this was the best musical collaboration I’ve heard from him since I saw The Leaves of Grass in NYC.
The rhythm section was perfect all night on everything. Every groove was driven right where it needed to be with a tremendous energy for almost two straight hours.
The arrangements were all smoking and well-crafted. The well-known opener, Thad Jones’ “Us” was perfectly played. I actually wished the band had been featured alone once or twice more by themselves because they were that good. I even thought that Steppin’ Out and Golden Lady, both of which I’m on record as not being crazy about hearing Kurt sing, were well arranged and came off better than usual.
New to my ears were charts of “I Can’t Give You Anything But Love” in a real swinging Basie style and “More Than You Know” which was just an amazing arrangement.
Kurt was so on, so intense, and so appreciative of these musicians behind him and with him. He sang some great improvised solos, burning stuff. He did not croon. He sang his own thing throughout and you never knew where he was going to go with it. Almost all of it was unpredictable, really fresh and new. He even sang some lyric-free lines along with sections of the band (reminiscent of Mel Torme with Rob McConnell’s Big Band or KE’s Orange Blossoms in Summertime arrangement on Flirting with Twilight.) Very hip stuff.
I can’t think of anyone who has ever fronted a big band who has done it better, with this approach, and with this amount of energy and intensity. I really do hope Kurt and this band will seriously continue to perform live and record often in the future. There could be a lot to look forward to.
I am very interested in what some of the other audience members in Boston thought of this show.