Fred Kavli Theatre-Thousand Oaks Civic Arts @
- Thousand Oaks @
,CA @
- Sat, Sep 26, 2009 @
Favorite moment: Too many for me to isolate just one, but it was great when Ted Nash's white-haired father, Dick Nash, joined the group on stage with his trombone. @
Setlist: The program was announced from the stage, and I didn't make notes, so the only titles I remember are "Matisse" from a group of seven pieces by Ted Nash, a number that Wayne Shorter wrote for Art Blakey, and two "jazz classics" (as Marsalis joked): "The Itsy Bitsy Spider" and Nash's arrangement of "Old MacDonald Had a Farm." @
Fifteen consummate musicians led by the incomparable Wynton Marsalis . . . what more could a jazz aficionado ask? As Marsalis said, they were playing for us, the audience; if they wanted to play for themselves, they could have stayed at home. And the whole show was indeed a crowd pleaser, characterized by fine solos and brilliant ensemble work. The modest, humorous, and althogether winsome Marsalis sat in his back-row trumpet section, generously sharing the glory with the entire group.
Fred Kavli Theatre-Thousand Oaks Civic Arts @
- Thousand Oaks @
,CA @
- Sat, Sep 26, 2009 @
Favorite moment: Too many for me to isolate just one, but it was great when Ted Nash's white-haired father, Dick Nash, joined the group on stage with his trombone. @
Setlist: The program was announced from the stage, and I didn't make notes, so the only titles I remember are "Matisse" from a group of seven pieces by Ted Nash, a number that Wayne Shorter wrote for Art Blakey, and two "jazz classics" (as Marsalis joked): "The Itsy Bitsy Spider" and Nash's arrangement of "Old MacDonald Had a Farm." @