My wife and I have been BIG fans since the mid-1980's, but had never seen TFF live nor had we heard anything from Everbody Loves A Happy Ending. The venue is our favorite - smallish, intimate, outdoors, immediately adjacent to sailboats bobbing in their slips Our seats were seven rows back from the stage and perhaps too close to the mountain of speakers as the volume was a tad too loud for our taste (we both had ringing ears afterward). You knew things were getting serious when the recorded Listen from Songs from the Big Chair began playing and as soon as it ended the band lit into Everybody Wants to Rule the World. The crowd was immediately on their feet. Curt crossed over to the water-side of the stage to wave a salute to the folks on kayaks floating within view and earshot of the stage. Despite what must now be grey hair (closely cropped), Curt looked relatively youthful, trim, and healthy. We thought that Roland appeared to have put on a couple of pounds and hope that that means that he is happy or content or whatever. The band was positioned across a stage devoid of any backdrop, props, or ornamentation whatsoever. So, they must be all about the music. What struck me most was how professional these guys were and how seriously they seemed to take their music and their performance. Rather than go through the motions or mail it in as so many do night-after-night and having played the same songs hundreds of times and for many years, the musicianship was remarkable and the vocals were as close to studio-produced recordings as they could be. Roland has the richer, stronger voice, but Curt has dead-on timing and precision. His stuccatos are fantastic. The set was about a 60:40 mix of old to new material with a cross-section from all of the studio albums (Break It Down Again being the only song from Roland's first "solo" album Elemental and Raoul and the Kings of Spain the only song from Roland's second "solo" album of the same name, but Curt played bass) and several from the latest disc including Everybody Loves a Happy Ending, Closest Thing to Heaven, Call Me Mellow, and Who Killed Tangerine. We liked the new material and knew immediately that "that's a good song" which inspired us to purchase the new disc at the end of the show purportedly signed by Roland and Curt for a paltry $20. In fact, we were pleasantly surprised that all of the paraphenelia (CD's, posters, T-shirts, etc.), much of it signed, was modestly priced. Two unexpected songs that they played were Floating Down the River (Once Again) from a compilation disc called Gold and a most unexpected arrangement of Billie Jean as a "requiem", as Roland put it, to the late Michael Jackson. It is obvious that Roland is heavily influenced by the Beatles and especially the Sargent Pepper's sound. In fact, I recently read that Roland refers to Paul McCartney as "the new Lennon" and his song writing should make them proud. The song that I like best on the new disc is Last Days on Earth and I think that it would have gone over well with the laid-back San Diego crowd in the middle of summer. Alas, they chose not to play it. The other band members, who were individually introduced by Curt but otherwise unacknowledged, were each expert in their craft. The lead guitarist was profound, the keyboardist ("the guy with the tie" as Curt called him) phenomenal what with all of the pre-recorded and horn sounds he provided in addition to tinkling the ivories, and the drummer was thunderous and first-rate. It seemed to me that Roland and Curt were anything but chummy chosing instead to allow the other his time in the spotlight. Their only spoken interaction being an exchange about Curt's recent and Roland's upcoming birthdays being sandwiched around Barack Obama's and all three being the same age. Roland finally dismissed the whole thing with an offhanded "it doesn't matter". So, whereas I did not perceive any real warm-and-fuzzies, the best moments were when the two shared the vocals. They blend seemlessly and create dreamy harmonies together. Both took their turns addressing the crowd with Roland demonstrating on several occasions a wry sense of humor. My wife loved his bit about the setting reminding him of being on his boat...in St. Tropez...only that he doesn't have a boat...well, he does, but it floats in his tub with his rubber ducky... . He introduced "Woman In Chains" by saying that when he wrote the song back in 1988 he never imagined that one day he would be singing it with a man which elicited laughter since Oleta Adam's vocals were sung by Michael Wainwright who, quite frankly, did a remarkable job of it - by far his best performance of the evening. Thankfully, they refrained from lecturing any political stances aside from their lyrics and Curt's T-shirt which read "PEACE" in faded letters. My only lament about the evening is that it was too short. They only played for 1-1/2 hours, 1 hour 40 minutes tops. I have heard that Humphrey's has a 10P noise curfew and they were done and off the stage by then having started around 8:20 and performed one encore of two songs. I would have preferred that they started earlier and played longer. They expressed appreciation to the highly enthusiastic crowd and vowed to come back "when they're 50 - which won't be long" said Curt. No group hug or bow at the end, just individual salutes to the crowd as they walked off stage. All in all, it was worth the wait, the drive, and the expense as their performance, albeit too short, was extremely high quality. Always leave 'em wanting more, I guess. Bottom line - loved TFF's music before, still love it now.