Performance of a lifetime. Each musician showed brilliant control and command of their instrument, phrasing, and form. Fresh, vibrant playing in the moment. Familiar songs became new again. The show was a ride through a wide emotional range. Experienced joy, comedy, silliness, mourning, sorrow, fear, trepidation, rage, reckless abandon.
Beauty. Precision. Grace. Passion. Perfection.
Highlights: 1) the Cadenza shared by Witchers and Thile on "Next to the Trash," was a stunning and hilarious musical adaption of a lovers quarrel, yet it was so much more. It showed 2 musicians with strong physical and technical ability as well as attentive ears deeply trusting and following one another wherever the conversation led them. As Noam Pickelny later stated, the listener was led through an "entire history of western and eastern music in 60 seconds."
The form on "Brakeman's Blues" seemed to be on cue, surprising to the listener, yet the band was always right on, never caught off guard, hitting the top of the form as one.
Could have done without the people surrounding me who were not listening (yes, talking), crunching plastic beer cups, and singing along or singing harmony.
Southern Theatre @
- Columbus @
, OH @
- Tue, Feb 12, 2013 @
Favorite moment: Phenomenal improvisation. Not just the recorded solos. Fresh and relevant for the moment. @
Setlist: Not in order/lots of holes: Another New World, movement and Location, brakemen's blues, patchwork girlfriend, missy,this girl, New York city, A Hundred Dollars, soon or never, flippen, Kid A, wayside, next to the trash, rye whiskey
Acoustic encore: presto from Violin Sonata No. 1 in G Minor-Bach, Bottom of the Glass, Sled Ride, Moonshiner. @
Opening act(s): Anais Mitchell. Just great. @